She asked the advice of the chemist, who had always been kind to the bird. The world faded as the procession of the weeks marched by. The world faded until at last there ceased to be any world except the little world of the Snark, freighted with her seven souls and floating on the expanse of the waters. Our memories of the world, the great world, became like dreams of former lives we had lived somewhere before we came to be born on the Snark. After we had been out of fresh vegetables for some time, we mentioned such things in much the same way I have heard my father mention the vanished apples of his boyhood. Man is a creature of habit, and we on the Snark had got the habit of the Snark. Everything about her and aboard her was as a matter of course, and anything different would have been an irritation and an offence.!

As I write these lines I lift my eyes and look seaward. I am on the beach of Waikiki on the island of Oahu. Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea. Nearer, the sea is emerald and light olive-green. Then comes the reef, where the water is all slaty purple flecked with red. Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks. Through and over and out of these wonderful colours tumbles and thunders a magnificent surf. As I say, I lift my eyes to all this, and through the white crest of a breaker suddenly appears a dark figure, erect, a man-fish or a sea-god, on the very forward face of the crest where the top falls over and down, driving in toward shore, buried to his loins in smoking spray, caught up by the sea and flung landward, bodily, a quarter of a mile. It is a Kanaka on a surf-board. And I know that when I have finished these lines I shall be out in that riot of colour and pounding surf, trying to bit those breakers even as he, and failing as he never failed, but living life as the best of us may live it. And the picture of that coloured sea and that flying sea-god Kanaka becomes another reason for the young man to go west, and farther west, beyond the Baths of Sunset, and still west till he arrives home again. But I have held my head in both my hands ever since, trying to figure out the intellectual kinship between myself and the one who wrote: “Long before I knew of you, I had mixed political economy and history and deducted therefrom many of your conclusions in concrete.”

Abruptly, with a roar of sound, Sentinel Rock loomed through the rain dead ahead. We altered our course, and, with mainsail and spinnaker bellying to the squall, drove past. Under the lea of the rock the wind dropped us, and we rolled in an absolute calm. Then a puff of air struck us, right in our teeth, out of Taiohae Bay. It was in spinnaker, up mizzen, all sheets by the wind, and we were moving slowly ahead, heaving the lead and straining our eyes for the fixed red light on the ruined fort that would give us our bearings to anchorage. The air was light and baffling, now east, now west, now north, now south; while from either hand came the roar of unseen breakers. From the looming cliffs arose the blatting of wild goats, and overhead the first stars were peeping mistily through the ragged train of the passing squall. At the end of two hours, having come a mile into the bay, we dropped anchor in eleven fathoms. And so we came to Taiohae. All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu. The mizzen is in and fast furled. In the night, what of the roll and the absence of wind, it had made life too hideous to be permitted to go on rasping at the mast, smashing at the tackles, and buffeting the empty air into hollow outbursts of sound. But the big mainsail is still on, and the staysail, jib, and flying-jib are snapping and slashing at their sheets with every roll. Every star is out. Just for luck I put the wheel hard over in the opposite direction to which it had been left by Hermann, and I lean back and gaze up at the stars. There is nothing else for me to do. There is nothing to be done with a sailing vessel rolling in a stark calm.